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"He hideth my soul in the cleft of the rock..."

I recall a documentary about how a photographer from the West tried to help a group of needy children in India to break free from the vicious cycle of their society. These children, without intervention, are breed for child prostitution since birth, and were taught to submit to their 'karma'. They belong to the lowest of all castes and were indoctrinated that there is no escape from their fate.
The photographer tried to instil a sense of self-worth and meaning, a love for the art, by teaching them photography. "From the Eyes of a Child" was the theme in that documentary, to that effect (though I must admit I forgot the exact title). Her hope and intention was that, through this empowering, they would begin to see that they can have true freedom in life, if they would fight for it.
The documentary was deeply moving in the scenes when one can see the sparkle in the children's eyes as they explore a world of their own through the lens of the camera. For the first time in their life, life was happy.
But the story did not end well. Soon the families of these children wanted them back to continue with the sex trade. The children actually had the opportunity to go with the photographer to the West and pursue their newfound interest in photography, but none except one accepted the offer. "It's my fate", observed a child. Another committed suicide later in her life.
Thus the tragedy concludes, with all the loss of the potential happiness and meaning in the lives of these children.
How do we debunk such a distorted view of things? Of reality? Or are we to debunk? What is reality to us does not seem to apply to them. Is there an objective reality in the first place? Or 'to each his own'? Are worldviews relative?
Can we even suggest that what the children chose (in this case, to submit to their 'fate' and become sex-slaves) is wrong, and that there is a higher meaning and purpose out there?
One thing we know for sure: worldview does matter. It matters to the children, and it matters to the photographer in the documentary.
I recall this memory of that documentary because it reminds me of a friend who refused to consider God because he has always lived without one. His objection is this: 'I had done well all my life, and I do not need God to interfere, nor do I need a Book to 'learn' my morality from, since I pretty much know what is right and wrong for me'.
Is that valid? On the surface it seems to be, since the friend has no practical use for God.
But it is built on the assumption that God is valued for His expediency--if religion works for me, then it's good; if it's good, then it's true.
What if this equation works backward? God is true, therefore He is good, and whether religion works for you is not the main point.
It is also limited by itself: having done well without God (the person does not appreciate what is general revelation and providence) THUS FAR, he assumes that he does not need God as far as life goes. But how long has he lived? 20 years? 30 years? Can he speak for all of life? What about the question of death? Is there life after death? What about origin? We cannot know where we're going unless we know where we come from. What about the ultimate purpose in life?
[I'm not satisfied with a simplistic answer like, the meaning of life is 'to be happy'. Happiness is fleeting. 'To make others happy' fares no better. 'To better humanity' is a joke if all of humanity ends upon death. And death and decay happen to all men (and women). And even if one discovers physical immortality (if that is possible), how does that make life ultimately meaningful?]
My biggest objection against that objection is, it entrenched itself into a mud-pit. Like the Indian children, the friend could not see beyond his myopic life-view. Everything operates by his presuppositions about life. In the case of the child, karma, fate (fatalism) and the caste system are the facts of life. In the case of my friend, the a priori assumption that either God does not exist or that He does not matter.
It's not a question of 'he doesn't know what he's missing out.' Like the tragedy of the children, it's far, far worse than that.